Drone restrictions for Invictus Games

by | Sep 25, 2018 | Aerial Photography

Drone No Fly Zone

The Invictus Games is an international adaptive multi-sport event, created by Prince Harry, in which wounded, injured or sick armed services personnel and their associated veterans take part in sports including wheelchair basketball, sitting volleyball, and indoor rowing.

Restrictions will apply to the use of drones (remotely piloted aircraft) around Invictus Games venues. These will be in place from 18 October to 28 October 2018.

Temporary airspace restrictions will be active on certain days and at certain times. When the restriction is active, drones are not permited to fly in these areas. These restrictions apply to drones of all sizes and weights, including drones that might be considered small toys.

 

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Visionair can request CASA approval to fly in these restricted areas during these periods. Approval is required to be submitted by the 5th of October 2018. All applications are made to the New South Wales Police Force Aviation Support Branch.

Only drones specifically authorised by New South Wales Police Force are allowed to operate in the temporary restricted areas.

Some of you may be looking at taking your personal drone out during this period, we encourage all visitors to the games to play it safe and to leave their drone at home.

The information below is intended to support information in the formal Aeronautical Information Circular (AIC) which is published on Airservices Australia’s website. The information has been simplified for web presentation and drone flyers should always rely on formal aeronautical information publications for the most accurate and detailed information.

The restrictions have been put in place by CASA, Airservices and the New South Wales Police Force to ensure that there is an appropriate level of airspace security and to provide safety for low level helicopter operations to support the event. These restrictions apply from surface level to 1000 feet above ground level.

Contact Visionair Media for further information on 13200 55 70 99

About The Author

Jim Moustakas

Jim Moustakas is a seasoned professional in the realm of video production and commercial photography, born in the vibrant city of Frankfurt, Germany, on December 27, 1973 and then migrated to Australia in 1981. Jim’s passion for content creation ignited at the tender age of 15, a flame that has only grown brighter with time.

In 1988, while still at Randwick Boys High School in Year 9, Jim embraced the role of the resident school photographer together with other school mates, cultivating his skills in the magic of the dark room which he ran at his school. This early exposure to the art form laid the foundation for his future endeavors. Between 1992 and 2000, Jim honed his craft in the wedding photography business, capturing countless moments of joy and celebration.

The turn of the millennium marked a new chapter in Jim’s career as he embarked on a decade-long adventure from 2000 to 2011, traversing the diverse landscapes of Australia. As a national school photographer, Jim not only chronicled the academic journeys of countless students but also extended his services to Indigenous children in remote communities. His commitment to ensuring these students were not deprived of cherished school memories due to their geographical isolation speaks volumes of his character.

During this period, Jim also collaborated with Australian Geographic as a freelance shooter, skillfully documenting various assignments that aligned with his travels across Australia.

After a brief interlude from the industry, Jim’s entrepreneurial spirit led to the inception of Visionair Media in 2012. Under his leadership, Visionair Media has flourished into a reputable commercial photography and video production agency. The company prides itself on delivering top-tier photography and video production services to both the commercial and government sectors, showcasing Jim’s unwavering dedication to his craft and his ability to adapt and evolve within the ever-changing landscape of visual media.

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